The Imperialist Design of Khartoum
Article by Muhsin Khalid Part Four The Clowning of Olivier Lawrence Olivier's portrayal of the Mahdi is compromised by overacting. His facial register is obviously exaggerated. His features shiver as though afflicted by an overdose of a drug. He yells at his fighters when they bring him Gordon's head with an almost comic theatrical movement: Take it away from me! His lower jaw is dropped like a camel fed up salt in order to sell it puffy and swollen. This excessive portrayal of the Mahdi defeats the desired outcome of the scene. Olivier as Othello (1965) There is too much that is grasped by camera which would have looked more effective on stage. The mixing of film technique with that of the theater, if not done with full awareness of the subject, yields outright foolishness from head to tail. A similar mistake to this I find in Peterson Wolfgang's perspective in his film Troy when he makes...