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Movie Critic Review: Death Proof (2007) Part Two

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The Movie It appears that there is no point in praising a movie that was meant to look like some cheap movies that were made in the seventies unless this new movie will disprove the cheapness of those movies and make us love them and live happily ever after! Yeah, it just appears! Quentin Tarantino Tarantino and Robert Rodriguez decide to make two movies to be shown back to back in one program and even put them under the title Grindhouse- a term used to describe theaters that showed low-budget, low-quality movie genres in the seventies. Of last century, I should regretfully add. And, better still, confuse the viewers by showing additional transient titles on the screen. Just like the way popular genres of movies were made and shown to the audience, sometimes with a whole reel missing! Apparently the two filmmakers had no other intentions for their double-movie production! It wasn't like a project or anything big! Rodriguez even once said about cheap movie genres...

Movie Critic Review: Death Proof (2007) Part One

MCA: Death Proof 2007 Part One The American Dream (Or How I Learned To Start Worrying And Love The Crash) The shocking video clip below includes moments of configured sex/violence corporeal fusion  in which the machine (the deathproofed car) is the virulent metal-organic erection of a  rapist Thanatos, exonerated and unrestrained! This sequence from Quentin Tarantino's "Death Proof" flashes representations of the varied  but agonizingly empty, almost one-dimensional hyperreality. Squirts postmodern denials of unity  of the fragments in their spatial quest for meaning. Elements high and low in quality  playfully displace the viewer from the onlooker's spot and catapult him into the lap of the gasping  assailant as he climaxes under the shower of hot blood. The sequence resonates guilt and frustration into your judgmental capacity and negates  the natural positive inside you that pinpoints the right from the wrong. The victim is  stripped o...